Amazing creatures, fantastic places, wondrous art and more make the real world seem like a fairy tale sometimes. This collection of people, places, and things show you the wonders all around us that are fantastically real.
Dorothy was right – sometimes you don’t need to look further than your own back yard to find wonderful things to inspire you. Who needs a trip to Oz when our magical world is where we wake up?
I’ve always had this sense of wonder about the natural world. It’s often simple things like the beautiful symmetry inside of a purple onion, or the star shape of seeds when you cut the apple sideways. I’ve had friendships with trees (very good listeners) and connections with rocks, which I bring home from practically any walk outside of pavement. In some ways, I’m always on the lookout for treasure from nature, a hole in a tree that could be a fairy door, or a sunbeam that stirs that part of my imagination that longs for connection and magic.
This has led me to become a Wiccan, to take photos and turn them into art, to fill shelves with birch bark, seed pods, seashells, feathers, crystals, fossils, bones.
I’m fascinated by this idea that things out of stories and fairy tales are all around us, here in the real world, if you only know where to look. You have to be sensitive to it, like a psychic channeling spirits, awake to the possibilities. It’s almost the opposite of cynicism, embodying the belief that the real world already is inspiring, fascinating, beautiful, peaceful, connected, magical.
A lot of what I blog about is the art of seeing, and I hope we can gather real things, people, and places that fulfill the dream of seeing our magical world is real.
One Thing Clear
The spider watched the fog catching in her web, each bright bead another dying breath of the misty September morning. Frankly, she preferred dragonflies, but at least it made one thing clear: sometimes you cannot admire your creation until you stop working.
I found bittersweet beauty in an old schoolhouse, on the edge of my town and a crumbling past.
One of the things I’ve been promising to do once school was back in session is to go on a photography safari. Not to shoot wildlife, just take a drive for an hour or two and stop when I see something that strikes me in the right way. While I probably could have done this with kids in tow, I worried too much they would have gotten bored, making me feel rushed instead of meandering.
The first place I wanted to go had haunted me for a while. On the way out of Stoughton, almost to the freeway, there’s an old one-room schoolhouse perched on a bit of lawn between the road and a golf course. I’d always found it charming and a bit mysterious. What was its history? Was it still in use for anything? Could I park and hop out and peek in its windows without annoying golfers or the owners of their club?
I parked across the highway to be a bit less obvious and used the golf-cart viaduct to cross under the road to the schoolhouse. The paint is peeling more than I expected, as if whoever owns it has forgotten about the little historical building. A few windows are broken. You can see right into the basement through a square hole in the stone porch, as if a hatch or bunch of bricks are missing. The cellar is piled with lumber; the main room houses old furniture and flags.
I tried to capture the melancholy of the broken windows and fallen slats. I tried to catch the charm of the past in the familiar shape of the building. Many photographers find the same bittersweet beauty in shabby vintage vistas these days, so I mimicked the close-ups for texture and the wide shots for structure. After years of passing it on the road out of town, I was not disappointed.
I wish I knew its name.
I wish I could take care of it. It could be an art gallery, a quiet retreat, or a tiny coffeehouse. There’s an ache about such decaying beauties, an unspoken desire to imagine the heyday, and a slippery slope of enjoying the varying grayscale of weathered boards while wishing you could polish life back into their bones.
Do not disturb the spiders.
I live in a house built in 1885. The dining room slopes decidedly toward the windows and none of the doors are straight. I know how to love time-worn buildings and their glorious wrinkles.
I had no destination after the bittersweet beauty of the old schoolhouse. I drove through a few little towns I knew, and followed some country roads I didn’t. My other find of the day was a few barns on the verge of collapse, on the edge of otherwise healthy-looking farms. A few years ago my son dubbed these “Jenga barns”, as if the loss of one little piece of wood could cause the whole thing to tumble. I didn’t want to creep around someone else’s property, but I got a couple of shots I liked from the side of the road. I love that you can see the sky through the ribs.
There was a Jenga barn on the road to turn in to my last office job. I loved driving by it every day, thinking about not only what it must have been, grand and wide and sturdy and useful, but admiring the way it sloped and shrugged, losing its shape to the weight of time. Someday I’ll head back there and get more than a snapshot on my phone. Some future safari, maybe.
Anyway, I decided to anthropomorphize the nameless schoolhouse in the photos’ one-sentence story. Hope you like it.
School’s Out… forever.
The dilapidated one-room schoolhouse stands despite flaking paint and broken windows, wondering when summer will finally be over.
When will summer end?
As usual, prints and products of the images are up on my Society6 artist shop, and you can get digital versions on my Etsy store for less than five bucks.
Find magic in the everyday through Jeff Goldblum’s wonderful series.
I’m always on the hunt for other people who create joy around them and explore the world with an eye for wonder. The Disney+ show, “The World According to Jeff Goldblum,” is a short-form series that basically lets the actor and connoisseur run amok while exploring a singular topic in our modern world.
Denim. Ice Cream. Bicycles. Tattoos. He picks a subject and seeks out its history, its evolution, the makers and gurus of it, and the ordinary people devoted to it. He gives an overview, he deep dives, and he tries his darnedest to get to the bottom of why people love whatever the thing is.
The documentary and human interest stories are charming, but the real star is always Jeff Goldblum himself. Quirky, curious to a fault, game for anything, he brings the perfect combination of gravitas and whimsy to his interviews and narrations. He takes everything seriously and nothing too seriously. He deals out thoughtful interview questions and hilariously unexpected comments with equal ease. He never, ever mocks an enthusiast, even when they seem bizarre or over-zealous, but respects them and genuinely tries to understand them and their passions. His commentary is unique and highly specific, and I can’t help but watch, mesmerized, with the feeling that no one else could stand in his place.
I feel like Jeff gets it, that quest for magic in the ordinary. Here are a few examples.
Copyright denimhunters.com
On a “denim safari,” Jeff explores an old mining camp with a curator and merchant of vintage denim. Their infectious enthusiasm plays off each other, until Jeff says they’re like two sticks about to combust. At the end of the adventure, he declares, “This is the most fun I’ve had in my whole life!”
In his eyes, cotton is “cheeky”, and each pair of jeans tells the story of the individual who wears them. At a weekly line dance held by the Dallas Pride LGBTQ group, surrounded by fabulous be-denimed cowboys, he meets someone from Kansas and begins a spontaneous sing-along of “Somewhere Over the Rainbow.”
He makes his own ice cream flavor and shares it with active military troops, asking them to close their eyes and describe the memories the ice cream brings. “Ice cream is like a time machine,” bringing back fun memories with family and friends, perhaps from simple joys in childhood.
“Studies have shown that nostalgia can uplift feelings improve self-esteem and make us feel connected to people for whom we deeply care. It gives comfort. A torch that lights the way to a brighter future. Lady Ice Cream, I say,” – Jeff sings – “I love you, tomorrow, tomorrow, I love you….”
On that final note, Jeff skips off along the beach.
My favorite episode is Bicycles.
Jeff gets his own bike custom built and brings it to a weekly event called Slow Roll Detroit. This community bike ride drew 3-5 thousand people every Sunday to ride through the streets of Motor City. The effects on the city have been astounding: residents along the route throw front-yard barbecues, children come out to cheer, and more importantly, people are moving back to the city because of Slow Roll. They stay in the city more once they get there, going to local shops and restaurants and bringing the community together.
Jeff Goldblum is moved to tears as he concludes his opus on the bicycle and the way they make cities feel more human again.
“Community unification – that’s no small thing. The bicycle is mechanical, it’s a machine, but you know, I – I felt it was an extension of my body. It allowed me in a unique and subtle but profound way to be in connection with everything around me. The potential of me and that bike has allowed me to connect with something in me that is – can I say real? Well, it feels like, in some way, I’m home.” Choking up, he repeats wistfully, “I’m home. Gee.”
The World According to Jeff Goldblum is uplifting every time. I watch it whenever I need a treat and a smile. Two seasons are out now on Disney+.
The rocks at Schoolhouse Beach on Washington Island, Wisconsin, are so smooth they feel almost soft. The unique silky texture makes the rocks precious; you’d get a $200 fine for removing one! On a chilly day, visitors built rock stacks with these smooth, flat stones well-loved by the waves, instead of swimming. This stack was ours.
I worked hard in post to get separation of color in the individual rocks. Plus doesn’t that swirl of cloud at the top look a bit like an eye? Look out for the VFD.
Visit my store at society6.com/ellaarrow to find art prints, canvases, and other cool stuff made from my art.
Snow on the ground this morning, the first of the season.
And not a little snow – 2 or 3 inches. An impressive amount for October in
southern Wisconsin.
Grr, said my son to the too-pretty trees.
I’d gone to bed in a foul mood after an up and down day. I
got the first proof copies of my book, The Flight of The Starling, in the mail,
which was thrilling, but I also spent half the day fighting with Microsoft Word
and Adobe Acrobat over an embedded fonts problem. A stupid technical glitch
that I have to fix in order to publish this book. So close and yet so far.
Plus the kids didn’t want to get out of bed, and for some reason, my son, who’s ten, decided that snow was the worst thing that could’ve happened to him. Oh what a hassle. We’ll have to find all our snow gear. (Nevermind that I did that while they ate breakfast.) Why oh why does the school make us put on snow pants to play outside? On and on. His grumpiness infected me. By the time I was driving them to school – late out the door, plus extra minutes scraping the car – I was as pissed at the October snow as he was.
When I got back home, I realized I needed to reset. First
snows are magical, and that is my quest: to seek out the magical aspects of
life, to acknowledge that awe can be found every day if only we look. More troubleshooting
is still ahead of me today, and I didn’t want to give in to the dark clouds so
early in the day. I decided I would try my best to appreciate the first snow,
to look with new eyes and see the wonder in it, dammit.
All it took was a walk around my block. The first thing I
noticed was the sounds, a shushing and a plopping as the trees threw snowballs
with their leaves. (Yes, I got hit, once. Yes, I shrieked.)
Octoplant creeps up toward the jacks.
The neighbors’ potted plant, long leaves thickened with
snow, became a tentacled monster. Halloween decorations turned cartoonish,
plastic skeletons grinning at their foolishness in the extra bright light. A
huge rope spiderweb tied to porch rails sparkled with frost.
Now don’t you feel silly.
The trees dropped spontaneous snow-showers, flash flurries
that glittered in the morning sun, silver and gold. The orange and red leaves
on the sidewalk stood out more sharply, a last flame of fall before the black
and white of winter.
It wasn’t just the snow itself that seemed beautiful – it was the autumn snow. The October snow. And of course, bare black trees outlined in clinging white are pretty hard to growl at. My cheeks grew pleasantly chilled in one block, and the warmth inside my front door was welcoming and soft.
The hardest part of finding the
magic was deciding that I could.
The spider watched the fog catching in her web, each bright bead another dying breath of the misty September morning. Frankly, she preferred dragonflies, but at least it made one thing clear: sometimes you cannot admire your creation until you stop working.
Visit my store at society6.com/ellaarrow to find art prints, canvases, and other cool stuff made from my art.